WATERPROOF
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ALBUM NO. 7
"(Nick's) 2015 album Waterproof (OSCAR RECORDS OSC002) is not only quite a step forward in terms of production values, but the performances are more assured than ever before.....neatly evading genre pigeon-holing ... ..his original poetic ideas continue to intrigue....one who’s willing to take you into his confidence, and disclose things worth knowing. " Ed Pinsent, The Sound Projector
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"Nick Pynn, whose album Waterproof I absolutely recommend - folk but with all kinds of mutations and modifiers attached, beautiful, engrossing stuff." David Stubbs
"it's like finding a hidden casket of interlocking jewellery... With the added bonus of poetry.." Steve McNicholas, Stomp
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"Never disappoints" Paul Mansell- Marlow FM
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LIVE Recording
from The Old Market 22-11-15
Here is the audio of 4 of the songs from Waterproof recorded live at the Old Market late launch gig last year. The DVD of the show is currently in preparation.
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Track Listing
1. Waterproof
2. Things that are Round
3. Interlude 1
4. Stalemate Closing
5. Champs Elysees #2
6. For Kate
7. M about M
8. Interlude 2: Oscar Contemplates
9. Flora
10. Interlude 3: Pedal Beach
11. Waterproof
12. Lull
13. River
14. Judy
Please note: some of the titles on the album sleeve are in a different order to on the disc. The running order above is correct.
I'm proud of this album. The songs and tunes were inspired mostly by events of significant magnitude (!) and I'm glad to have got them down. I'm grateful for the contributions of these highly talented musicians.....
John Sawicki
JOHN SAWICKI a native New Yorker, drummer, actor. performing with Stomp worldwide for over 16 years. Sawicki was featured in the STOMP LIVE DVD.. He recorded and performed with artists such as 30 Seconds to Mars, Street Drum Corps, Guitar Center Drum Off concerts ,Adrian Young of No Doubt , Tommy Lee, DJ Lethal from Limp Bizkit and Samantha Tina. Recently appeared in the STOMP 3D Movie.
John plays drums on two tracks on the album: Hellhound and Waterproof
Kate Daisy Grant
Kate's best known for her songwriting and incredible voice. Her multi-instrumental talents work so perfectly on this album.
Signed as a songwriter to Sony/ATV in 2005, she produced an album 'Kate Daisy Grant', with producer Ken Rose, later released on the 'Telescopic Baby' record label - a gleeful toyshop bonfire of junkyard percussion, found items and songs of innocence and longing. The album received UK-wide airplay including from Steve Lamacq (Radio 2), a live session on Radio 5, Stuart Maconie's 'Freak Zone' (Radio 6) and was favourited by Tom Robinson (Radio 6),
Kate was asked to contribute additional score and new songs for feature film 'Mr Right' in 2009 and had several songs used in the 'Voices in the Head' episode of Jon Ronson's Radio 4 show.
Kate plays piano on Champs Elysees #2, Things That Are Round, cello and melodica on Lull and spoken word on River
Paul Gunter
Paul Gunter is a drummer, percussionist, and performer. Musical highlights include Stomp and working with Arrested Development, Hugh Cornwell, Jessica Lauren, Chaz Jankel, and Terry Callier, in venues that include Sydney Opera House, London’s Royal Festival Hall, The Royal Palace in Beirut, The Parthenon in Athens and Ronnie Scott’s Jazz club.
Paul plays congas on : M about M and Interlude 3
Lyrics
Hellhound
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Hellhound dance in the killing rain
Hindlegs daggered to the creeping plain
Where the landslide and lava stream bubbled and burned
On the homeland's remains when faith had adjourned
Hellhound heels and wheels like the crow
For the not yet quite carrion, in its lifeblood's stopped flow
Whilst melting and morphing
Through debts that have bought you
The bitch barks in brimstone where searchlights will scorch you
Where water splash torments and clanging bell bruises
Drop anchor the hindlegs where danger diffuses
Stilettoed and crusted with mantis intention
To eat you alive as you practise abstention
Hellhound dance in the killing rain
Hindlegs daggered to the creeping plain
Hellhound
Hellhound
Things that are Round
Things that are round
In pairs quite often found
As matter, or
as holes we can’t deny
A planet or a void
Becoming cardioid
Square pegs need not apply
Things that are round
Can sometimes let you down
Things that are round can go stra- ange
Pictures getting blurred
Through questions deferred To expertise referred
You fall behind.
Swelling circles found
Will pull you back to ground
Awaiting ultrasound
For peace of mind
To break through the veneer
Where water surrounds a sphere
And corneas close circles in the mist
The window to the world
(Will show it’s perimeters come uncurled)
As straight lines can agree to co-exist
Things that are round
Can sometimes let you down
Things that are round
can go stra- ange
Stalemate Closing
The dawn choruses in peeling layers
Where you can be found
In abandoned streets where the
ravaged cars cry themselves to sleep
and your footsteps creep without a sound.
Dumped on a road without a map and
Questions greater than you can know.
Or playing blind man’s buff in the Hotel of Chainsaws
Love left the house before the lights came on to show you
Where the emptiness
Breathes dust from the wilderness
(Stalemate closing)
And down in the vaults
Where the dynamite is sleeping lighter
Than the bitter air,
or the history that put you there
(Stalemate closing)
Where winestain lips speak truthful
Mirrored in the curved chrome.
And the windbells ring on the desolate farm
Where the klaxon cattle roam
Home is where the poisoned heart sits in the broken gardens
Coughing out the dragonflies
In the summer of three oceans
In the turn of the tide of that lake so wide
where you dive
to revive your sunken dreams
Love left the house before the lights came on to show you
Where the emptiness
Breathes dust from the wilderness
(Stalemate closing)
And down in the vaults
Where the dynamite is sleeping lighter
Than the bitter air,
or the history that put you there
(Stalemate closing)
M about M
Dear Friend
Old friend
My brother had a thing with your mother
Did you know?
It was a long time ago
What a find
A fly off the wall
My phone’s bit the dust and hit the locker
I can’t reach you
And I’m curious
Dare I take this kindling flame
To accidents of happenstance?
Communications wireless and frozen screens of random chance
You changed your name- mine’s the same
On a boat in life afloat
And I always wondered if you knew the story
I have a pack of letters
I have a pack of letters friend, can I tell you this?
Brother told me a long time ago
What do you know friend?
Like Brother I am floating
Could we have perceived these twists and turns
Forty-something years ago?
I remember the abandoned lanes
Shoes slopping through the straw horse mud ‘neath the flat skies of clear red fire in springtime dusks
And sometimes I felt closer than the thirteen steps behind him
The evenings yielding woodsmoke scents through sloping tomes in bookshelf gaps
Machines pay out through laths and cracks
And cats that fought on crooked floors that
Mewed and monitored milk and babies
Near a churchyard
Still awaiting his name
Flora
Once I did sing this song to you
Although the words were not yet revealed to me
Now the stones have them drawn from the tide
In the folds of quarter of a century
Through history’s camera I follow your gaze
Exposing to memory our travels in clearer times
Gaudi and Dali through the hopes and the haze
Candled the swans in the charcoal night
Summer mountains and sunflower fields
Once through a tunnel, the horns were a fairground ride
They twist me a tune through the turning of wheels
Burning in the splintered light
From the camel sands where Bedouins pass
To where the shimmering heat melts all the palaces
And Spain was a sarabande through the spidering glass
Shattered panels in the electric night
As journeys found paintings that mirrored our days
We shone on the canvas of Spring in the gallery
Ochres and oxides under skies set ablaze
Promising futures for three of us
Why did the warm times hide from the light?
Where did the reason get exchanged for conspiracy?
The day when the water was thicker than blood.
Taking your leave on Flora’s day
Lull
When all clear comes and the calm smoothes the crumpled sea
And the dust
Is driven from the choking breeze
The island
Is the higher land
We hang up what’s left to dry
As the violence is silenced
Still we’re compelled to ask why
Were these bad choices
Over the rough waves strewn?
The storm took the story and
The dark ran away with the moon
Two times, the chain lines
Danced with the ghosts in the curse of the unknown
The warnings of sailors
Drowned in the mists of sundown
Here comes the lull
Here comes the lull
Gentle the lull
Long stay the lull
See the starlings skim as the cormorants dive for the new day
The gulls take the scraps and the air is alive with the salt spray
Soon to be leaving regrets of the lost souls taken by the raven
Bound for the halfway house in the halcyon haven
Here comes the lull
Here comes the lull
Gentle the lull
Long stay the lull
River
This river twists through winding glades and laps the sloping shore
With currents deep, her waters words yield wisdom to explore
These torrents know the bark he wears, the long grain sealed within
The past and parched fragmented roots,
The heart inside the skin.
His arid leaves absorb her wine
Which sparkles in their veins
Rising from the splintered nest
The watchful night bird reigns
The snakes pale slough is stripped away
Lost bones reform to walk
Foundations once less firmly held
Now anchor in the chalk
She leads him to the wider stretch
Before the open sea
And moving through the mirrored past
She sets these timbers free
Now budding branches stretch to touch
The springtime’s sweet embrace
As under stars she glints and glows
The full moon lights her face
All songs copyright Nick Pynn 2015